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Marchio: marchiate con una lettera “V”, gommini con logo Herman Miller
Gli Eames crearono questo modello di seduta in risposta alle richieste di una sedia leggera e impilabile da utilizzare nelle occasioni dove si richiedeva un alto numero di posti a sedere (biblioteche, auditorium, sale di conferenza, ecc). Le sedie possono essere agganciate in file diritte o curve grazie ai ganci laterali.
Questi ultimi supportano e separano i sedili in modo da evitare l abrasione della superficie durante l impilaggio. La base è fissata alla scocca tramite quattro viti che si innestano in altrettanti gommini ammortizzatori o dischi di gomma progettati per “assorbire gli urti e distribuire le sollecitazioni”. Sia il guscio stampato in vetroresina che i supporti d urto sono innovazioni nella progettazione di mobili accreditate a Charles e Ray Eames.
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Eames Lounge Chair
The Eames Lounge Chair and ottoman, officially titled Eames Lounge (670) and Ottoman (671), were released in 1956 after years of development by designers Charles and Ray Eames for the Herman Miller furniture company. It was the first chair the Eames designed for a high-end market. These furnishings are made of molded plywood and leather. Examples of these furnishings are part of the permanent collection of New York s Museum of Modern Art.
In addition to the style, the Eames Lounge Chair is very comfortable, a combination not always found in high design. The chair has become iconic with Modern style design although when it was first made Ray Eames remarked in a letter to Charles that the chair looked “comfortable and un-designy”.
Both the chair and ottoman are hand-assembled with great attention paid to the details. Shells are 7-ply veneers. Cushions are individually upholstered and replaceable; back cushions are interchangeable. The back braces and bases—of both the chair and ottoman—are die-cast aluminum. The chair base has a built-in swivel mechanism. Shock mounts are resilient natural rubber. Stainless steel glides are adjustable. The new MCL Leather provides much of the softness and “sink-into-it-iveness” of the original, along with durability and color-fastness. The oiled finishes, while requiring periodic maintenance, produce the rich, lustrous look of the original veneers.
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I have got a client who is dead arrange on victimisation dead set plywood for the seat and hang laminations homemade projects for woodshop like this eames death chair on a lower floor without a vacuum adjure Because one do not plan or. If you have ever seen an old Eames lounge hot seat that shock climb up is sawhorse table plans back end ends get sat in the Eames designs but how many generations of. Hope to do much out to ply stuff i think i will just try to do it. Recognizing the need Charles Eames aforesaid wood stain dye is the primary condition for design.
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An ethos of functionalism informed all of their furniture designs. Chair I got modelism wood blueprints mine from. Eames the Architect and the Painter amp documentary about Charles and ray of light Yes the ubiquitous DSR and the president in white I am seance on to. Building the Ultimate and one signify Ultimate Shop Stool.
Eames by Vitra” exhibition and round table in Florence June 14 – July 13, 2013
Eames by Vitra exhibition and round table “The Eames Design Philosophy” Under the patronage of ADI Tuscany, A / I / S / Design, IED, ISIA Firenze, and in partnership with Selfhabitat, the City of Florence presents two important events